{"id":6513,"date":"2022-04-10T12:00:00","date_gmt":"2022-04-10T10:00:00","guid":{"rendered":"https:\/\/roadtocinema.paris\/?p=6513"},"modified":"2026-01-18T20:05:59","modified_gmt":"2026-01-18T19:05:59","slug":"le-film-levenement-daudrey-diwan-nomme-a-la-27e-ceremonie-des-lumieres","status":"publish","type":"post","link":"https:\/\/roadtocinema.paris\/index.php\/2022\/04\/10\/le-film-levenement-daudrey-diwan-nomme-a-la-27e-ceremonie-des-lumieres\/","title":{"rendered":"Interview : Rencontre avec Audrey Diwan, Lion d&rsquo;Or 2022"},"content":{"rendered":"\n<p>A l\u2019occasion de la <strong>27e C\u00e9r\u00e9monie des Lumi\u00e8res de la presse internationale<\/strong> qui a \u00e9t\u00e9 diffus\u00e9e en clair et en exclusivit\u00e9 sur <strong>CANAL+ et myCANAL<\/strong>, le <strong>lundi 17 janvier 2022<\/strong>, nous avons rencontr\u00e9 la r\u00e9alisatrice <strong>Audrey Diwan<\/strong>, pour son film <em><strong>L&rsquo;\u00c9v\u00e9nement<\/strong><\/em>, qui a remport\u00e9 le <strong>Prix du Meilleur Film<\/strong>. Audrey a \u00e9galement remport\u00e9 le <strong>Prix Alice Guy 2022<\/strong>, ce vendredi 8 avril 2022 et Lion d&rsquo;Or \u00e0 la Mostra de Venise en 2021.<\/p>\n\n\n\n<!--more-->\n\n\n\n<h2 class=\"wp-block-heading\">Qui est Audrey Diwan ?<\/h2>\n\n\n\n<p>Audrey Diwan \u00e9crit son premier roman en 2008,&nbsp;<em><strong>La Fabrication d&rsquo;un mensonge<\/strong><\/em>, apr\u00e8s des \u00e9tudes en journalisme et sciences politiques.<\/p>\n\n\n\n<p>Audrey rencontre le metteur en sc\u00e8ne&nbsp;<strong>C\u00e9dric Jimenez<\/strong> avec lequel elle collabore sur la totalit\u00e9 de ses projets&nbsp;:&nbsp;<em><strong>Aux yeux de tous<\/strong><\/em>&nbsp;(2011),&nbsp;<em><strong>La French<\/strong><\/em>&nbsp;(2014),&nbsp;<em><strong>HHhH<\/strong><\/em>&nbsp;(2017) et le r\u00e9cent&nbsp;<em><strong>Bac Nord<\/strong><\/em>&nbsp;(2021).<\/p>\n\n\n\n<p>En 2018,&nbsp;elle saute le pas et r\u00e9alise son premier long m\u00e9trage,&nbsp;<em><strong>Mais vous \u00eates fous<\/strong><\/em> avec <strong>Pio Marmai<\/strong>, qui&nbsp;incarne un p\u00e8re de famille en apparence sans histoires mais qui s&rsquo;av\u00e8re d\u00e9pendant \u00e0 la coca\u00efne.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"749\" src=\"https:\/\/roadtocinema.paris\/wp-content\/uploads\/2021\/12\/AUDREY-DIWAN-2.jpeg\" alt=\"\" class=\"wp-image-6554\" srcset=\"https:\/\/roadtocinema.paris\/wp-content\/uploads\/2021\/12\/AUDREY-DIWAN-2.jpeg 1000w, https:\/\/roadtocinema.paris\/wp-content\/uploads\/2021\/12\/AUDREY-DIWAN-2-300x225.jpeg 300w, https:\/\/roadtocinema.paris\/wp-content\/uploads\/2021\/12\/AUDREY-DIWAN-2-768x575.jpeg 768w, https:\/\/roadtocinema.paris\/wp-content\/uploads\/2021\/12\/AUDREY-DIWAN-2-150x112.jpeg 150w, https:\/\/roadtocinema.paris\/wp-content\/uploads\/2021\/12\/AUDREY-DIWAN-2-696x521.jpeg 696w, https:\/\/roadtocinema.paris\/wp-content\/uploads\/2021\/12\/AUDREY-DIWAN-2-561x420.jpeg 561w, https:\/\/roadtocinema.paris\/wp-content\/uploads\/2021\/12\/AUDREY-DIWAN-2-80x60.jpeg 80w, https:\/\/roadtocinema.paris\/wp-content\/uploads\/2021\/12\/AUDREY-DIWAN-2-265x198.jpeg 265w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n<\/div>\n\n\n<p>Audrey r\u00e9alise ensuite&nbsp;<em><strong>L&rsquo;Ev\u00e9nement<\/strong><\/em>, un drame adapt\u00e9 du roman d&rsquo;<strong>Annie Ernaux<\/strong>,&nbsp;o\u00f9 une jeune femme d\u00e9cide d\u2019avorter pour finir ses \u00e9tudes et \u00e9chapper au destin social de sa famille prol\u00e9taire.<\/p>\n\n\n\n<p>Jusqu&rsquo;\u00e0 pr\u00e9sent, le film a remport\u00e9 de nombreuses r\u00e9compenses dont :<br>&#8211; Le Lion d&rsquo;Or<br>&#8211; Le Prix de la F\u00e9d\u00e9ration Internationale de la Presse Cin\u00e9matographique \u00e0 la Mostra de Venise<br>&#8211; Les prix du Meilleur Film et de la Meilleure Actrice pour Anamaria Vartolomei \u00e0 la 27\u00e8me C\u00e9r\u00e9monie des Lumi\u00e8res de la Presse Internationale<br>&#8211; Le C\u00e9sar du Meilleur Espoir f\u00e9minin<br>&#8211; Le prix de la Meilleure Adaptation au Paris Film Critics Award<br>&#8211; Le Prix Alice Guy<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">D\u00e9couvrez notre interview avec Audrey Diwan<\/h2>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"YlxXM8dGDwk\"><iframe loading=\"lazy\" title=\"LE FILM \u00ab\u00a0L\u2019\u00c9V\u00c9NEMENT\u00a0\u00bb D\u2019AUDREY DIWAN\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/YlxXM8dGDwk?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Synopsis de <em>L&rsquo;\u00c9venement<\/em><\/h2>\n\n\n\n<p>France, 1963. Anne, \u00e9tudiante prometteuse, tombe enceinte. Elle d\u00e9cide d\u2019avorter, pr\u00eate \u00e0 tout pour disposer de son corps et de son avenir. Elle s\u2019engage seule dans une course contre la montre, bravant la loi. Les examens approchent, son ventre s\u2019arrondit.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"587\" height=\"800\" src=\"https:\/\/roadtocinema.paris\/wp-content\/uploads\/2021\/12\/LEVENEMENT_Affiche.jpeg\" alt=\"\" class=\"wp-image-6555\" srcset=\"https:\/\/roadtocinema.paris\/wp-content\/uploads\/2021\/12\/LEVENEMENT_Affiche.jpeg 587w, https:\/\/roadtocinema.paris\/wp-content\/uploads\/2021\/12\/LEVENEMENT_Affiche-220x300.jpeg 220w, https:\/\/roadtocinema.paris\/wp-content\/uploads\/2021\/12\/LEVENEMENT_Affiche-150x204.jpeg 150w, https:\/\/roadtocinema.paris\/wp-content\/uploads\/2021\/12\/LEVENEMENT_Affiche-300x409.jpeg 300w, https:\/\/roadtocinema.paris\/wp-content\/uploads\/2021\/12\/LEVENEMENT_Affiche-308x420.jpeg 308w\" sizes=\"auto, (max-width: 587px) 100vw, 587px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\">Bande-annonce<\/h2>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"eKvA9DORGOA\"><iframe loading=\"lazy\" title=\"L&#039;\u00c9V\u00c9NEMENT - Bande-annonce\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/eKvA9DORGOA?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>A l\u2019occasion de la 27e C\u00e9r\u00e9monie des Lumi\u00e8res de la presse internationale qui a \u00e9t\u00e9 diffus\u00e9e en clair et en exclusivit\u00e9 sur CANAL+ et myCANAL, le lundi 17 janvier 2022, nous avons rencontr\u00e9 la r\u00e9alisatrice Audrey Diwan, pour son film L&rsquo;\u00c9v\u00e9nement, qui a remport\u00e9 le Prix du Meilleur Film. Audrey a \u00e9galement remport\u00e9 le Prix [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6514,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[2130,2131],"tags":[573,577,19,578],"class_list":{"0":"post-6513","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-nos-interviews","8":"category-nos-rencontres","9":"tag-27eme-ceremonie-des-lumieres","10":"tag-audrey-diwan","11":"tag-cinema","12":"tag-levenement"},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/posts\/6513","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/comments?post=6513"}],"version-history":[{"count":7,"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/posts\/6513\/revisions"}],"predecessor-version":[{"id":7367,"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/posts\/6513\/revisions\/7367"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/media\/6514"}],"wp:attachment":[{"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/media?parent=6513"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/categories?post=6513"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/tags?post=6513"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}