{"id":8277,"date":"2023-03-19T12:00:00","date_gmt":"2023-03-19T11:00:00","guid":{"rendered":"https:\/\/roadtocinema.paris\/?p=8277"},"modified":"2023-03-19T12:02:44","modified_gmt":"2023-03-19T11:02:44","slug":"jean-jacques-annaud-et-les-oscars","status":"publish","type":"post","link":"https:\/\/roadtocinema.paris\/index.php\/2023\/03\/19\/jean-jacques-annaud-et-les-oscars\/","title":{"rendered":"<strong>Jean-Jacques Annaud et les Oscars<\/strong>"},"content":{"rendered":"\n<p><em>\u00c0 l&rsquo;occasion du <strong>Paris Film Critics Awards<\/strong>, nous avons rencontr\u00e9 Jean-Jacques Annaud.<\/em><\/p>\n\n\n\n<!--more-->\n\n\n\n<h2 class=\"wp-block-heading\">Jean-Jacques Annaud, le montage comme savoir faire<\/h2>\n\n\n\n<p>Depuis le<strong> Silencio-des-Pr\u00e9s<\/strong> dans le quartier de Saint-Germain-des-Pr\u00e9s \u00e0 Paris, nous avons rencontr\u00e9 Jean-Jacques Annaud avec qui nous sommes revenus sur les <strong>Oscars <\/strong>dont la c\u00e9r\u00e9monie avait lieu dimanche dernier, et sur un \u00e9change g\u00e9nial avec <strong>Fran\u00e7ois Truffaut <\/strong>&#8211; qui est \u00e0 retrouver dans notre interview plus bas.&nbsp;<\/p>\n\n\n\n<p><strong>Jean-Jacques Annaud <\/strong>fait en effet ses armes en r\u00e9alisant un grand nombre de<strong> films publicitaires <\/strong>diffus\u00e9s pour la t\u00e9l\u00e9vision et les salles de cin\u00e9ma.&nbsp;<\/p>\n\n\n\n<p>Il obtient en 1973 la <strong>Palme d&rsquo;Or du Festival de Cannes <\/strong>des Films Publicitaires pour un spot \u00e0 gros budget <strong><em>Crackers Belin<\/em><\/strong>.\u00a0<\/p>\n\n\n\n<p>Apr\u00e8s avoir rencontr\u00e9 <strong>Fran\u00e7ois Truffaut <\/strong>qui aime ses mini-com\u00e9dies et son sens du montage &#8211; la coupe d&rsquo;intention, ce dernier le met en contact avec le producteur<strong> Claude Berri <\/strong>qui lui permet de r\u00e9aliser son premier film, <strong><em>la Victoire en chantant<\/em> <\/strong>sorti en 1976.\u00a0<\/p>\n\n\n\n<p>La sortie est un \u00e9chec commercial, mais apr\u00e8s des retouches portant principalement sur la bande-son, il obtient l&rsquo;ann\u00e9e suivante l&rsquo;<strong>Oscar du meilleur film \u00e9tranger <\/strong>sous le titre <strong><em>Black and White in Color<\/em><\/strong> et ressort en France comme<strong> <em>Noirs et Blancs en couleur <\/em><\/strong>en 1977.<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"NXu63Ohy36Y\"><iframe loading=\"lazy\" title=\"Le cin\u00e9ma avec Jean-Jacques Annaud\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/NXu63Ohy36Y?start=3&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p class=\"has-text-align-right\"><strong><em>Photo de couverture \u00a9L\u00e9a Ghirardotti<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c0 l&rsquo;occasion du Paris Film Critics Awards, nous avons rencontr\u00e9 Jean-Jacques Annaud.<\/p>\n","protected":false},"author":5,"featured_media":8278,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[145,620],"tags":[19,64,2044,38],"class_list":{"0":"post-8277","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-nos-partenariats","8":"category-paris-film-critics-awards","9":"tag-cinema","10":"tag-film","11":"tag-jean-jacques-annaud","12":"tag-oscars"},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/posts\/8277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/comments?post=8277"}],"version-history":[{"count":2,"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/posts\/8277\/revisions"}],"predecessor-version":[{"id":8281,"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/posts\/8277\/revisions\/8281"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/media\/8278"}],"wp:attachment":[{"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/media?parent=8277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/categories?post=8277"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/tags?post=8277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}