{"id":8310,"date":"2023-04-30T12:00:00","date_gmt":"2023-04-30T10:00:00","guid":{"rendered":"https:\/\/roadtocinema.paris\/?p=8310"},"modified":"2023-04-30T12:33:56","modified_gmt":"2023-04-30T10:33:56","slug":"6eme-edition-du-prix-alice-guy","status":"publish","type":"post","link":"https:\/\/roadtocinema.paris\/index.php\/2023\/04\/30\/6eme-edition-du-prix-alice-guy\/","title":{"rendered":"6\u00e8me \u00e9dition du Prix Alice Guy"},"content":{"rendered":"\n<p>\u00c0 l\u2019occasion du <strong>Prix Alice Guy<\/strong> au <strong>Max Linder \u00e0 Paris<\/strong>, nous avons rencontr\u00e9 sa fondatrice <strong>V\u00e9ronique Le Bris<\/strong>, sa laur\u00e9ate <strong>Alice Winocour<\/strong> et son jury.<\/p>\n\n\n\n<!--more-->\n\n\n\n<h2 class=\"wp-block-heading\">Un prix pour le Cin\u00e9ma<\/h2>\n\n\n\n<p><strong>Pour rappel<\/strong>, le <strong>Prix Alice Guy <\/strong>est le seul prix \u00e0 r\u00e9compenser <strong>la r\u00e9alisatrice de l\u2019ann\u00e9e<\/strong>. Lanc\u00e9 en janvier 2018 par <strong>V\u00e9ronique Le Bris<\/strong>,<strong> journaliste<\/strong> et <strong>fondatrice<\/strong> de cine-woman.fr, il met en lumi\u00e8re le talent des r\u00e9alisatrices contemporaines dans la lign\u00e9e de la premi\u00e8re d\u2019entre elles, Alice Guy.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">L\u2019ambition du Prix Alice Guy r\u00e9pond \u00e0 plusieurs objectifs :<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Pallier l\u2019<strong>absence<\/strong> r\u00e9currente de r\u00e9alisatrices dans les grands palmar\u00e8s annuels<\/li>\n\n\n\n<li><strong>Promouvoir<\/strong> une r\u00e9alisatrice et l\u2019encourager \u00e0 monter de nouveaux projets<\/li>\n\n\n\n<li>Donner une <strong>deuxi\u00e8me chance<\/strong> \u00e0 la diffusion du film prim\u00e9<\/li>\n\n\n\n<li><strong>Valoriser<\/strong> le travail des femmes cin\u00e9astes<\/li>\n\n\n\n<li>Mettre en valeur la <strong>filiation<\/strong> entre la pionni\u00e8re Alice Guy et les r\u00e9alisatrices d\u2019aujourd\u2019hui<\/li>\n\n\n\n<li>Faire d\u00e9couvrir sur <strong>grand \u00e9cran<\/strong> l\u2019incroyable production d\u2019Alice Guy<\/li>\n<\/ul>\n\n\n\n<p>En 2018 \u201cParis La Banche\u201d de<strong> Lidia Terki,<\/strong><\/p>\n\n\n\n<p>En 2019 \u201cUn amour impossible\u201d de<strong> Catherine Corsini,<\/strong><\/p>\n\n\n\n<p>En 2020 \u201cPapicha\u201d de <strong>Mounia Meddour,<\/strong><\/p>\n\n\n\n<p>En 2021 \u201cMignonnes\u201d de <strong>Ma\u00efmouna Doucour\u00e9,<\/strong><\/p>\n\n\n\n<p>En 2022 \u201cL\u2019\u00e9v\u00e9nement\u201d d\u2019<strong>Audrey Diwan,<\/strong><\/p>\n\n\n\n<p>Place \u00e0<strong> Alice Winocour <\/strong>pour \u201cRevoir Paris\u201d cette ann\u00e9e 2023 !<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Synopsis de <em><strong>Revoir Paris<\/strong><\/em> :<\/h2>\n\n\n\n<p>\u00c0 Paris, Mia est prise dans un attentat dans une brasserie. Trois mois plus tard, alors qu\u2019elle n\u2019a toujours pas r\u00e9ussi \u00e0 reprendre le cours de sa vie et qu\u2019elle ne se rappelle de l&rsquo;\u00e9v\u00e9nement que par bribes, Mia d\u00e9cide d\u2019enqu\u00eater dans sa m\u00e9moire pour retrouver le chemin d\u2019un bonheur possible.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Notre rencontre<\/h2>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"youtube-embed\" data-video_id=\"Ej37_30lHcs\"><iframe loading=\"lazy\" title=\"6\u00e8me \u00e9dition du Prix Alice Guy\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/Ej37_30lHcs?feature=oembed&#038;enablejsapi=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u00c0 l\u2019occasion du Prix Alice Guy au Max Linder \u00e0 Paris, nous avons rencontr\u00e9 sa fondatrice V\u00e9ronique Le Bris, sa laur\u00e9ate Alice Winocour et son jury.<\/p>\n","protected":false},"author":1,"featured_media":8311,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[145,2052],"tags":[504],"class_list":{"0":"post-8310","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-nos-partenariats","8":"category-prix-alice-guy","9":"tag-prix-alice-guy"},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/posts\/8310","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/comments?post=8310"}],"version-history":[{"count":2,"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/posts\/8310\/revisions"}],"predecessor-version":[{"id":8314,"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/posts\/8310\/revisions\/8314"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/media\/8311"}],"wp:attachment":[{"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/media?parent=8310"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/categories?post=8310"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/roadtocinema.paris\/index.php\/wp-json\/wp\/v2\/tags?post=8310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}